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Missal Lewis E M 46:13
Free Library of Philadelphia
Manuscript Overview
References
Binding Images

Physical Description

Support: Parchment; Extent: 242 x 344 mm

Script

Display script

Notes

Decorative border and an initial S with the Holy Spirit as a dove above a landscape

These cuttings once belonged to the missal of Cardinal Giulio de Medici, commissioned sometime before he became Pope Clement VII in 1523. Painted by the illuminator Matteo da Milano (active ca. 1492-1523), the missal was stolen from the Sistine Chapel by Napoleons troops in 1798 and later came into the possession of the collector Luigi Celotti, who dismembered the codex and sold it as single leaves in 1825 at a major sale at Christies. Celotti is responsible for adding the cartouche identifying the missals one-time patron.

This cutting can be dated to ca. 1513-1523.

These are pages that we pulled aside that disrupted the flow of the manuscript reader. These may be bindings, inserts, bookmarks, and various other oddities.

Keywords
16th century
Missal
Liturgy
Italy
Italian
Illustration
Painting
Fragment
Free Library of Philadelphia

Place of Origin

Rome, Italy

Date

1500-1525

Language

Latin

return to search Missal Lewis E M 46:13

Place of Origin

Rome, Italy

Date

1500-1525

Language

Latin

Manuscript Overview

Notes

Decorative border and an initial S with the Holy Spirit as a dove above a landscape

These cuttings once belonged to the missal of Cardinal Giulio de Medici, commissioned sometime before he became Pope Clement VII in 1523. Painted by the illuminator Matteo da Milano (active ca. 1492-1523), the missal was stolen from the Sistine Chapel by Napoleons troops in 1798 and later came into the possession of the collector Luigi Celotti, who dismembered the codex and sold it as single leaves in 1825 at a major sale at Christies. Celotti is responsible for adding the cartouche identifying the missals one-time patron.

This cutting can be dated to ca. 1513-1523.

Script note

Display script

References
Binding Images

These are pages that we pulled aside that disrupted the flow of the manuscript reader. These may be bindings, inserts, bookmarks, and various other oddities.

Keywords
16th century
Missal
Liturgy
Italy
Italian
Illustration
Painting
Fragment
Free Library of Philadelphia
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