This manuscript is a palimpsest, in which a grammatical treatise was written in Greek cursive with no decoration in the fifteenth century on leaves from an earlier manuscript. The previous text, mostly not legible, was a late thirteenth- or early fourteenth-century copy of Ad correctionem eorum qui virtuose vivunt, by the fourth-century theologian Ephrem the Syrian, written in Greek minuscule (Kavrus-Hoffman). The lower, older text is perpendicular to the upper text. Three leaves of the older manuscript were used as bifolia and are sewn into a gathering with no binding.
Support: Parchment; Extent: 6; 178 x 115 mm bound to 178 x 115 mm; Foliation: Modern pagination in pencil, outer margins, 1-11; modern foliation in pencil, upper right recto, 1-6; references in this record are to foliation; Collation: 1 (6)
Written in one column of twenty-six lines; the frame-ruling in hardpoint of the older manuscript has been reused as the margins of the later manuscript; written area: 132 x 85 mm
Greek cursive
Constantinople?
Possibly written in the scriptorium of Saint John the Baptist Petra Monastery (Prodromos Petra Monastery) in Constantinople (Kavrus-Hoffman); first half 15th century
Ancient Greek (to 1453)
Formerly owned by G. Calsoras; sale, Anderson Galleries, New York, March 10, 1909, no. 483
Constantinople?
Possibly written in the scriptorium of Saint John the Baptist Petra Monastery (Prodromos Petra Monastery) in Constantinople (Kavrus-Hoffman); first half 15th century
Ancient Greek (to 1453)
Formerly owned by G. Calsoras; sale, Anderson Galleries, New York, March 10, 1909, no. 483
This manuscript is a palimpsest, in which a grammatical treatise was written in Greek cursive with no decoration in the fifteenth century on leaves from an earlier manuscript. The previous text, mostly not legible, was a late thirteenth- or early fourteenth-century copy of Ad correctionem eorum qui virtuose vivunt, by the fourth-century theologian Ephrem the Syrian, written in Greek minuscule (Kavrus-Hoffman). The lower, older text is perpendicular to the upper text. Three leaves of the older manuscript were used as bifolia and are sewn into a gathering with no binding.
Greek cursive
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